三一堂 发表于 2019-11-11 12:44

以古化古

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三一堂 发表于 2019-11-11 12:48

沉着痛快——疾涩为一（唐孔颖达疏《礼记.乐记》：“节则止之，奏则作之”）。节奏产生于运动和静止的变化之中，疾和涩应当被统一。
在节奏关系里面，好的运笔和线条都是有节奏感，都是疾与涩的统一。古人的疾涩观是二元的，这种一元的疾涩观表现在作品上，就是积点成线，在线的每一个点上，运笔既有纵横挥洒表示痛快的力，又有上下提按表示沉着的力，疾涩统一，使点画不仅有粗细变化，而且还有墨色变化，所有变化都体现了运动的感觉，在沉着的基础上兼有痛快的意味。
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