临米
[这个贴子最后由陶琴居士在 2005/05/08 11:19pm 第 2 次编辑]墨：一得阁
笔：长锋羊豪
纸：江河毛边纸
创作手记:
临米的手札时用生涩的用笔,率意与经意之间,浓与枯,虚与实,聚与散......放在一起形成强烈对比,从而丰富了笔法和墨法情趣,虽偶然为之,但不夸张,耐人寻味.
前二天,晨起,精力充沛,一口气将<<苕溪帖>>通篇临完,时心态平和,好多字完全凭感觉完成.
平时喜欢侧重凝重的线条,从而失之灵动,什么时候有那种沉着中的灵动????那种布局的从容???
努力地将它们结合起来,既古拙又自然......难啊!
请各位狠批，谢谢！
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临米
比老米刷的还快啊.一大笑.便得心中意,何劳纸上墨.
临米
窃以为在临帖中要达到什么目的，与临出的面貌有很大关系． em14em14
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