三一堂 发表于 2019-11-5 09:21

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三一堂 发表于 2019-11-5 09:22

碑帖结合：将碑帖合而为一，强调综合，在一点一滴画中把帖学和碑学的笔法融会贯通成一种新的表现形式，相铺相成，相映成辉。
一，融合过程中，最大限度地发挥出各自特征，轻灵的任其轻灵，流畅的，生涩的，连绵的，揺曳的，各作表现，在充分展示个性的同时，反衬出对方的特征，共同营造出变化多端和夸张强烈的视觉效果。
二，“整体大于局部之和”，双方在对比的和谐中，会产生出新的表现内容和审美效果（把两种水果放在一起，就不能称个自的名称，通称水果。），作品中碑学的粗犷生拙，帖学的精致流畅，相铺相成，孳生一种跌宕起错落的造型和节奏，给作品带来了新的审美内容。
三，以形势构成的方式并置组合，类似于分书笔画对篆书的解构，将一根圆曲的线条分为两种形式，一种拉成直线，另一种曲上加曲一波三折，通过两种线条的并置组合，造成强烈的视觉效果。
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